22 Short Pieces About Springfield: Number Twenty-Five - “Ultrasuede is a miracle. This is just good timing."
Season 8,
Episode 15
“Homer’s Phobia”
First Broadcast: February 16, 1997
Courtesy 20th Century Fox, via Frinkiac.
A BUNCH OF
STUFF THAT HAPPENED
After one of
Bart’s pranks (frankly I forget which – the one with the dryer race, maybe?)
adds to the family’s perpetual money troubles, Marge volunteers to sell a
Bouvier family heirloom, and the family heads to Cockamamie’s, a store full of
kitsch collectables at the mall, leading them to make friends with the store’s
proprietor, John – who also discovers that Marge’s heirloom, perceived to be a
Civil War-era statuette, is actually a whisky bottle.
John is
fascinated with the Simpsons’ sense of style (“pearls on a little girl!”) and
the family enjoys his company. However, Homer shuns John after Marge
reveals he is homosexual, and begins to worry about John’s influence on Bart,
prompting Homer’s emergency half-assed over-parenting to kick in.
After exposing
Bart to as many ‘manly’ activities as possible, including a trip to a steel
mill that does not turn out to be as heterosexual as Homer hoped, he takes Bart
hunting with Moe and Barney, and having left empty handed, drops by Santa’s
Village to bag a reindeer. This plan backfires when the reindeer attack
and encircle Bart and Homer, leaving John to save the day with his robotic
Japanese Santa Claus, which in turn re-endears John to Homer.
MAGIC MOMENTS
The
introduction of Japanese Robo-Santa:
Courtesy 20th Century Fox, via Frinkiac.
The various
doo-dads in Cockamamie’s, including Pogo Stilts and a sci-fi robot replete with
the bones of its dead operator.
A small piece
of dialogue between John and one Waylon Smithers. We have no idea what
that could possibly signify…
ALL SINGING,
ALL DANCING
“Gonna Make
You Sweat (Everybody Dance Now)” by C+C Music Factory receives a couple of
choice airings, as the anthem of anybody who works hard and plays hard:
HISTORY/LEGACY
Homosexuality
has generally been depicted with repect in The Simpsons, though stereotyping
does persist for assumedly harmless comic effect. Outside of John here
and Karl in “Simpson and Delilah”, the most high-profile homosexual character
in The Simpsons is Marge’s sister Patty Bouvier, who eventually came out of the
closet to marry her girlfriend in “There’s Something About Marrying” – although
her girlfriend was later revealed as a man, so… Yeah. Season
Sixteen, folks.
At this stage,
and for no apparent reason, I feel compelled to mention one Waylon Smithers
Jr., the real deal with whom is that he is Mr. Burns'
assistant. He's in his early forties, is unmarried, and currently resides
in Springfield. Thanks for writing!
John Waters,
who voices – perhaps shockingly – John, is one of America’s most celebrated
outsider filmmakers. Responsible for triumphs of bad taste such as “Pink
Flamingos”, “Multiple Maniacs” and “Female Trouble”, he worked for the most
part with close friend Divine on a body of work that has to be seen to be
believed.
It’s also
worth noting that John is first seen wearing Homer’s ‘Pin Pals’ bowling shirt
from “Team Homer”, as bought for him by replacement fourth member Mr
Burns. It is heavily implied that Marge gave the shirt to a charity shop
without Homer’s prior knowledge. Homer, of course, barely notices.
WHY I LIKE IT
This episode
does receive a lot of flak from some quarters for Homer’s characterisation;
we’re still some years from Jerk-Ass Homer’s wave of inconsideration, but here
he is undeniably in an indefensible position – he is, as the title very
strongly suggests, homophobic, and the decision to make him so outwardly vile
is a controversial one, though one that undeniably keeps the focus of the
episode front and centre by involving its primary character.
His redemption
of sorts here underpins a message episode, but one that was largely in keeping
with social thinking and the progression thereof at the time. The
Simpsons is ostensibly a left wing, inclusive show - aside from the influence
of creator Matt Groening, whose NRA membership and many right-wing references
are well documented elsewhere - although one that is not afraid to poke fun at
the foibles of the left, so the eventual confrontation of this issue was
inevitable.
The episode is
fun, and the people with the outmoded ideals get the short end of the stick,
though not to any horrendous extent – and you
can’t argue with the double header of John Waters and C+C Music Factory.
Now ‘scuse me while I kiss the sky…
Join us next
time as we get education fraudulently-hee-hee.
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